LATEST ADDITIONS

Tibo has been making something of a name for itself in the world of smart speakers of late, but the SIA75 streaming amplifier is one of its first forays into the rather more demanding arena of integrated hi-fi solutions. It certainly looks the part, with a full-width chassis and a decent level of build quality. Its simple layout reflects the Scandinavian aesthetics of its Danish founder, with a front panel dominated by a series of presets, a dedicated button for grouping with other Tibo smart products and a multi-functional central dial that adjusts the volume, selects the inputs and turns the amp on and off.

Expectations ARE HIGH for the next generation of Denon’s CEOL network music systems, but any doubts are short lived asthe latest N10 iteration has already received an award for best compact music system by EISA members, including our sister titles Hi-Fi News and Home Cinema Choice magazines. Priced at £449, the new one-box music system adds Amazon Alexa voice compatibility and HEOS multi-room technology, allowing seamless playback to connected devices throughout the home.

Looking to spruce up the vinyl replay chain, UK distributor Henley Audio has introduced the SugarCube SC-1 from Californian-based firm SweetVinyl, designed to digitally remove pops and clicks from any record in real-time – “playing older records like they’re brand new”. Sitting between a phono stage and amplifier, it’s built around a Asahi Kasei analogue-to-digital converter (ADC), digital processor and an ESS DAC. It offers iOS and Android app-based control of the 24-bit/ 192kHz digital process and a Strength dial gives up to 10 ‘clean-up’ levels. The process claims to remove only the unwanted elements on the vinyl and that the audio signal retains all the space, depth and clarity of the original recording.

Few hi-fi components read from a more conflicted job sheet than the standmount speaker. Put yourself inits place. Number one, you need to persuade your owner that, however tempting, being tucked away on a bookshelf isn’t that great an idea if you’re expected to give your best performance. Second, having avoided that dusty corner cosying up to Ian McEwan, the stout pillar you’re now perched on eats up as much floorspace as a floorstanding tower so, yes, the pressure’s on to deliver sonically.